Crossroads Secret Alloy

500 000 kr

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Crossroads Secret Alloy


FAUBOURG DE CRACOVIE CROSSROADS 

IN THE RACING SPIRIT

Geneva, October 2024 – With the Faubourg de Cracovie Crossroads, Czapek & Cie plays its signature game of stylistic alchemy, erasing the boundaries between sport and elegance, classicism and modernism. Combining the ultimate in sporting indications with refined craftsmanship, the new timepiece epitomises the Maison’s philosophy of respecting tradition while transcending its confines.

“We wanted to refocus on the Faubourg de Cracovie collection because it is the only continuative chronograph model in our current collection and its case design – with hollowed-out lugs and pushers integrated into the crown guards – epitomises our philosophy or modern classicism,” says Czapek CEO, Xavier de Roquemaurel. “Introducing a tachymeter gave us a perfect opportunity to play with highly traditional métiers d’art in a counter-intuitive way, combining guillochage with the quintessential sporting indication.”

A tachymeter scale – marked around the dial perimeter or on the bezel – enables the calculation of speed based on travel time (or vice-versa, measures distance travelled based on speed) by using mathematical formulas and the chronograph’s time measuring indications.

Long associated with motor sport, tachymeters began to appear on some Swiss chronograph watches around the turn of the 20th century, when they had a great practical value for racing drivers and early aviators. Today, as with many watchmaking complications, modern technology offers alternatives to its purely functional purpose but that in no way reduces its appeal – with the opportunity to savour the spirit of racing or check whether your car speedometer is accurate. (Since a tachymeter measures average speed over distance, it would be redundant on the motorway with cruise control but great fun on a twisty country road.)

Dynamic Dials with a new Guilloché Pattern
The dial of the Faubourg de Cracovie Crossroads epitomises the Maison’s pursuit of Beauty – in colour, detail, harmony and with intricate texturing to capture and reflect the light. Reducing the diameter of the main section of the dial to accommodate the tachymeter scale was a case of “easier said than done” and to maintain the balance and symmetry of all elements, the chronograph sub-dials also had to be reduced in the same proportion. A more pronounced flange was created, to ensure that they maintained a strong presence in the composition – a subtlety of detail that is a signature of Czapek.

For the guillochage, Czapek worked with its dial-making partner Metalem, to create a new pattern that would project a sportier and more modern image – a counter-intuitive use of such a deeply traditional craft. A reinterpretation of the ‘Double Soleil’ guilloché created for Quai des Bergues last year, the new Crossroads pattern has straighter lines that are more widely spaced and deeply etched. A passing resemblance to tyre treads alludes to the racing heritage of tachymeters. Its name, Crossroads, describes the pattern of intersecting lines as well as symbolising Czapek’s position at the crossroads of watchmaking tradition and a modern approach. Dynamic, alive and exciting, the dial is indeed an “invitation to race”.

The dial has been created in two colours: Deep Blue with contrasting counters, and ‘Secret Alloy’ – a monochrome grey dial with counters matching the colour of the raw dial material. Used as the base material for both dials, the precious metal alloy is a mix of soft and hard materials – platinum, gold, silver, palladium and other metals – chosen to achieve ideal tensile strength and because, when polished before guillochage, it creates intense reflections that emphasise the crispness of the engraved lines. The Secret Alloy dial will be a limited edition of 50 pieces and the Deep Blue dial will be unlimited.

A Benchmark Chronograph Calibre
The Calibre SXH3, powering the Faubourg de Cracovie line, was developed in 2018 by Vaucher Manufacture Fleurier and adapted to Czapek's specific requests. A benchmark in automatic integrated chronograph movements, it unites the most desirable features of chronograph calibres: a column wheel (for more precise functionality, felt through the crisp action of the pushers); a vertical clutch for precise control of the chronograph’s start/stop/restart functions; a linear zero-resetting hammer to ensure seamless resetting of all chronograph indications. Its high frequency of 5Hz (36,000 vph) enables measurements accurate to 1/10 second and enhances stability and robustness. (Czapek’s CEO has worn his Faubourg de Cracovie chronograph for several snowboarding seasons without any mishaps!). 

Czapek’s attention to detail is evident in the movement finishing: the bridges are sand-blasted and diamond-polished, their anthracite colour making a striking contrast with the 18-carat pink gold rotor. The watch is presented in a 41.5mm steel case with alligator or Alcantara strap. 

The Faubourg de Cracovie Crossroads will be available at the Maison’s official retailers worldwide, Deliveries will start in May 2025.

Technical Specifications

100% SWISS MADE

FUNCTIONS

  • Chronograph, hours, minutes & seconds
  • Chronograph's minutes at 3 o'clock
  • Chronograph's hours at 9 o'clock
  • Small seconds at 6 o'clock
  • Date window at 6 o’clock

MOVEMENT

  • Caliber SXH3: Haute Horlogerie integrated automatic Chronograph movement with a bespoke execution
  • Power reserve: 65 hours
  • Frequency: 5 Hz – 36’000 VpH
  • Column Wheel, Vertical Clutch and Linear Hammer
  • Golden Rotor with Czapek logo
  • Diameter: 30mm – 13 lines 1/4
  • Height: 6.95mm
  • Finish: finely sandblasted and diamond polished anthracite bridges, snailed trottoirs
  • Certified Chronometer (COSC)

CASE

  • 41.5mm Stainless Steel Case
  • Sapphire crystal Glass-Box with anti-reflective treatment
  • Sapphire case back with Anti-reflective treatment on the inner side.
  • Water Resistance: 50m

BRACELET

  • Alligator or Alcantara strap with a steel pin buckle

DIAL

  • Handcrafted Czapek guilloché Crossroads dial in ‘Alloy 401’ (AuPtPdAg) in raw grey colour
  • Black tachymeter scale
  • Baton applied indexes with Superluminova treatment
  • Double index at 12 o’clock with Superluminova treatment

HANDS

  • Blued steel arrow hands

LIMITED EDITION

  • 50 pieces

INSIDE CZAPEK

THE STORY

1811: Marked the birth of Franciszek Czapek in Semonice, kingdom of Bohemia (nowadays Czech Republic). He emigrated to Poland with his family in his youth, retaining Czech and Polish citizenship.

1832: Franciszek fled to Switzerland following the collapse of the Polish uprising, in which he actively participated. A gifted watchmaker, he soon founded his first company, "Czapek & Moreau", with a local partner, and Gallicized his name to François.

1839: François Czapek and Antoine Norbert de Patek, both Polish emigrants, survivors of an insurrection that had forced them to flee, met in 1836. This encounter changed their lives. Czapek invited his countryman Patek to delve into the realm of watchmaking. Together they founded the company Patek, Czapek & Cie on May 1. 1839.

1845: The partnership between François Czapek and Antoine Norbert de Patek lasted six years, during which they created several exceptional timepieces. At the end of their contract, in April 1845, they dissolved the partnership. Both men continued producing timepieces. Czapek founded Czapek & Cie on May 1st, 1845, with a new partner, Juliusz Gruzewski.

1850: Czapek was quickly recognized as one of the greatest watchmakers of the nineteenth century. Purveyor to the Imperial Court, Watchmaker of His Imperial Highness, Prince Napoleon. At its height, the company had boutiques in Geneva, Warsaw and Paris, Place Vendôme. He wrote a book on watchmaking, one of the first of its kind ever written in Polish.

1869: Czapek disappears mysteriously.

2012: The Czapek company name was re-established in 2012. The three entrepreneurs behind this revival decided to take an unusual path for the relaunch of the Company: to share it with fellow watch lovers. They created a library of Czapek timepieces to understand his work and personality, and worked on new designs as if he was seated with them having traveled through time.

2015: On November 10, 2015, the company was relaunched in front of journalists, friends and watch lovers in Geneva. Fellow enthusiasts were given the opportunity to take part in the great adventure of Czapek's revival, by investing through an equity crowdfunding campaign. The company became the first Haute Horlogerie Company revived by watch connoisseurs worldwide.

2016: Czapek & Cie wins the coveted Public Prize at the Grand Prix d'Horlogerie de Genève, the Oscars of Haute Horlogerie. A true recognition from a public of connoisseurs who rewarded the beauty and the horological quality of the Quai des Bergues No. 33bis. The award would have made François Czapek proud. Every year since, Czapek has launched a new collection with a new calibre: the Place Vendôme in 2017, the Faubourg de Cracovie in 2018.

2017: Czapek launches its second collection, the Place Vendôme Tourbillon Suspendu “Ici et Ailleurs” named after the Parisian square where François Czapek opened a boutique in 1850 - assumed to be the first fine watchmaking boutique ever on this world-famous square.

2018: The Faubourg de Cracovie chronograph is the company’s third collection and is named after the location of François Czapek's third boutique, opened in 1854 in Warsaw, Poland.

2019: After a century and a half of absence, the company opens a new boutique in Geneva, Rue de la Corraterie 18, only few steps away from the original Czapek’s atelier, established in 1845 in the Quai des Bergues in Geneva.

INSPIRATION

Beauty needs some sort of disruption… When an apparently innocent or disturbing detail suddenly makes the whole become beautiful.

A rich legacy ought to be considered with a certain sense of duty, passion and flair. The revival of Czapek first started by exploring the watches portfolio of the former collection until one timepiece emerged. The simple yet fascinating 1850’s pocket watch N°3430 became the centre of attention. Yet plain replication of the original would have been insufficient. Revival requires a lot more than this: all the original codes that made a watch unique in its time must be considered through the looking-glass of 150 years of evolution in technologies and taste. While at first sight classical, François Czapek’s work remains stunningly modern: all the elements are unexpected, almost shocking when taken separately, but so harmonious when all set together.

The purity of this large white enamel dial is underlined by the extended numerals. The surprising combination of Fleurs de Lys (hours) with Trident (minutes) exceptional forged hands creates a beautiful chaos. The two decentred sub dials, one at 4.30 o’clock the other at 7.30 o’clock create an asymmetry on one side and symmetry on the other. A typical Czapek style element that we can also find in the movement architecture. Finally the remarkable double hand power reserve indication with weekdays highlights the authenticity of his design approach.

The red-line behind these personality traits embodies what makes Czapek unique: The quest for beauty through the poetry of time. It defines our duty: to magnify his style into a modern version.

WE COLLECT RARE PEOPLE

Czapek & Cie crystalizes the brand’s message and uniqueness with a new communication campaign whose tagline “We Collect Rare People”, combines various important elements of the Geneva-based maison. Notably, the ideas of ‘sharing passion’ and ‘community’ with ‘rarity’ and ‘identity’.

“We Collect Rare People”, is a play on words, a sort of oxymoron, making people ask themselves about who is collecting, what, why and whether they would like to join the Czapek ‘club’. 

Czapek collects rare people in many ways. First-of-all, Czapek collects rare supplying partners that provide the brand with rare savoir-faire, proud to be a piece of this exciting project. Czapek also collects clients with a rareobsession for quality, on the quest for a unique product. In another sense, they also become partners. Last but not least, Czapek collects shareholders, fine watch lovers that have always dreamt of not only being customers, but owners of an haute horology venture, and their dream became true thanks to the crowdfunding equity campaign that made the revival of Czapek possible.

“Since the rebirth of the brand”, explains Xavier de Roquemaurel, CEO of Czapek & Cie, “Czapek has been proud of its ‘family’. We never planned to create a community, it just emerged from our way of working. By opening the books during our fundraise, we became naturally transparent, by being transparent we became collaborative, by being open and collaborative we attracted hundreds of watch-lovers and made them become Ambassadors and create a Community. By collecting rare people, Czapek becomes stronger and more enticing”.

“Everyone has their own journey of how they got there, you’re never defining who the person is, just that they are confidently different to everyone else”.

OUR DIALS

Our dials are not just the “face” of our watches. They are, in essence, the natural extension of our mechanical movements in both beauty and complexity. Whether it is Hand Guilloché, Grand Feu Enamel, or Flinqué, the incredible skills required to create each one of them are the prerogative of only few rare people in this world. We are proud to work with the best amongst them and present their amazing work here.

THE ART OF GUILLOCHE

Guilloché (also called engine-turning) is a decorating technique in which intricate geometric patterns are engraved onto dials and, sometimes, cases. Lines are etched into the part via a hand-operated lathe, either in straight lines or in circles. The difficulty of this process does not only rely on the precision required but also on the correct and continuous pressure of the hand in order to get a perfectly regular pattern. Most of the current Master-Guillocheurs, learned through an apprenticeship with another Master as this art is no longer taught in watchmaking schools.

CZAPEK GUILLOCHE RICOCHET ®

The Czapek exclusive Ricochet Guilloché pattern takes the inspiration from an ancient design created by Francois Czapek in the 1850s. Its main characteristic and unique feature is the presence of a double focal point, unlike traditional Guilloché patterns with only one focal point at the centre of the dial. The two focal points, corresponding to the two iconic Czapek subdials – indicating small seconds and power reserve – create a fascinating “wave interferences” in the dial, hence the name: Guilloché Ricochet ®.

CZAPEK’S GUILLOCHE RESONANCE

Called Résonance, this special guilloché is derived from the Ricochet ® pattern of the Quai des Bergues collection: concentric circles originating from the two sub dials at 3 and 9 o’clock intersect and form bas-relief squares. But this time, the lines are much deeper and wider, creating a sporty guilloché, never made in watchmaking. It took our Master Guillocheur much effort and time to get the right result but the biggest challenge was elsewhere: in order to enhance the light effects, we decided to add to this pattern a curvy, “bombé” shape. So, to avoid any deformation or distorted lines, we had to find a special alloy, replacing the soft 18 carat gold used traditionally. This is why all our dials featuring the “Résonanceguilloché are made out of our special alloy, including 55% of precious metals (Pt, Au, Pd, Ag).

THE ART OF ENAMEL

The Czapek “Grand Feu” enamel dial is one of the most difficult techniques of the art of watch decorating but offers maximum durability. The master artisan of our manufacturing partner Donze Cadrans in Le Locle, does not paint the motif directly on the watch but applies more oxides on the dial in gold. Then, the enameler moves the dial into a fire (800-900° C) several times to allow motif and colors appear gradually. The “Grand Feu” enamel sets unalterable and refined decoration… including a secret signature in the case of Czapek.

THE FLINQUE TECHNIQUE

Flinqué” is a technique combining the stamping of geometric patterns, which have been initially engraved on a dial using the guilloché technique, with enamelling. The guilloché pattern used with the original “flinqué” technique was so recognizable that it gave it its name. Nowadays any pattern can be used in a “flinqué” dial

Czapek had its partner Metalem recreate its own “Ricochet ®” design – a motif inspired by the ripples of a stone skipped on a lake – on a stamping tool. Once the décor is stamped on a silver plate, an intense ‘moiré’ enamel is applied by another Czapek partner, Donzé Cadran. It is then finally fired in a kiln to harden the enamel. The process is repeated several times until the right hue is achieved.

DETAILS & INNOVATION

Our watches feature few details and innovations that are unique and make Czapek creations instantly recognizable. The devil is in the details, and this is what Haute-Horlogerie is all about!

OPEN RATCHETS

The historial 3430 pocket watch made by Czapek in the 1850’s featured a beautiful pair of open ratchets… an amazing detail to bring forward today and introduce in the SXH1 Movement.
Czapek’s open ratchets are polished, circular-grainde and finely chamfered.

MASTER HALLMARK

‘Golden Bees’ (in fact, cicadas) are considered as the oldest emblem of the sovereigns of France and became the symbol of Imperial France and of Napoléon III. They stand for Resurrection and Eternity. Czapek’s ‘poinçon de maître’ (hallmark) features a Golden bee as a tribute to the Imperial distinction obtained in the 1850’s… and a symbol of its Revival.

SECRET SIGNATURE

This long forgotten secret ‘savoir-faire’, dating back at least two centuries, was a thrill to revive in modern times!
The use of this technique is extremely rare. Czapek’s hand written signature reveals itself when a ray of light hits the enamel at the correct angle. The inscription is a faithful reproduction of François Czapek’s signature, as written in the Czapek’s & Cie compagny registration, available in the ‘Archives de Genève’.

DOUBLE HAND

Czapek’s double hand is a unique mean to display the seven-day power reserve with the indication of the day of the week. It was first featured in the model No.3430.
In the 19th Century, clocks were wound once a week, on Sunday, after Mass.
François Czapek conceived this double hand the same way. When fully wound, the power reserve indicates Sunday, and ends on Saturday, when it is empty.

HORIZONTAL MANUFACTURE

Since its rebirth, Czapek & Cie has paid particular attention to the quality and finesse of its watches by associating itself with the best players in the Swiss watchmaking industry. Much more than just suppliers, they are real partners, from creation process to execution. Thanks to them, to their know-how and unequalled experience, Czapek can be proud not only to offer its customers the highest quality, but also to innovate in fields in which tradition is nevertheless a benchmark.

The concept of Horizontal Manufacture is not new. It is only the contemporary continuation of what was already being done in the 19th century and known as “établissage“. It is therefore with the greatest pride that we present to you all the partners who have worked with us to create our timepieces.

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